When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-piled books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night’s starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love; — then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.
— John Keats
Back when I was a child (no, really — I was still in my teens), I took a course on the English Romantic poets. The first semester was all about William Blake and the Lake Poets (Coleridge and Wordsworth, among others). The poets known as the Late Romantics— Byron, Shelley, and Keats — took up the second semester.
It was a challenging course; in her feedback to a paper I wrote on Keats, my professor gently suggested I was perhaps more inclined towards studying history than literature. (She was right.)
But those young poets never left me, in their way, and so, less than a year later, I found myself wandering through a Roman cemetery looking for John Keats’ headstone. He died of consumption — what we now know as tuberculosis — on February 23, 1821. Like so many ex-pats in Rome, he was buried in the Protestant Cemetery. Unlike most people, he insisted his headstone not bear his name, but rather “Here lies One Whose Name was writ in Water.”
On that same visit to Rome, I also visited the Keats–Shelley Memorial House beside the Spanish Steps. It’s the house on the far right in the next photo. It was sobering to see where Keats died, but also thrilling to see the incarnation of my entire Romantic poetry course in three rooms.
I stopped by the Keats House in Hampstead, in the north part of London, on my next trip overseas. Hampstead Heath, a marvelous open space of almost 800 acres that beckons when you are museumed out, lies just behind the house.
Since I keep bumping into Keats on my travels, I thought it only right that I acknowledge the 200th anniversary of his death.
But back to the Romantic poetry course that started it all for me. One morning, my prof began class by asking who among us had life insurance. Her point was how unusual it was for someone as young as Keats to be so aware of his own mortality.
Unusual, but understandable. Keats lost both parents before he was grown and then watched his younger brother die of tuberculosis. He had also trained as a doctor. By his early twenties, Keats had seen far more death and dying than most of us will see in a lifetime. His sense of how fleeting life is inspired him to write poems like the sonnet I started this post with, which he wrote a month after his brother died.
More death and dying than most of us will see in a lifetime — that, of course, refers to those of us who will live through this pandemic more or less unscathed. And those of us who do, have far more privilege than most.
Twenty-five years ago today, the new central branch of the Vancouver Public Library opened to the public. Its iconic building is meant to resemble the Colosseum in Rome and was designed by Moshe Safdie, Richard Archambault and Barry Downs.
All public libraries in Vancouver have been closed since March 16 because of the pandemic. Demand for online content, including streaming services, has skyrocketed since. I have a handful of books I checked out months ago, none of which, I am happy to report, I’ve managed to read. The due dates have been extended three times already so there’s no pressure to return them and, had I known what was coming, I might have been far more careful in choosing my books. The books sitting on my bedside table aren’t exactly what you would call light reads.
One of the library books currently in my possession has turned out to be indispensable, however. It’s all about how to make artisan sourdough bread — rarely am I so prescient, but wasn’t that a happy choice?
As with all birthdays during these pandemic times, the celebrations for Vancouver Central Library have been muted. But one bit of celebratory news we heard today is that the library will begin curbside pickup at a few select branches next week. Patrons will be able to request books online and make an appointment for when to pick them up. And for parents, library staff will select a number of books suitable for each child’s age and interests and bag those up for the same curbside pickup.
Do you hear that? That is the sound of parents everywhere cheering at the news they will soon have a fresh selection of books to read to their toddlers.
I wasn’t planning on writing a post to celebrate the birthday of the English poet William Wordsworth, but somewhere on the Interwebs today, I came across the last verse of his most famous poem. That would be “I Wandered Lonely as a Cloud” — or, as many people call it, “that daffodil poem.”
Here’s the verse I’m talking about:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
What hit home for me about this particular verse today is the realization that the one-time Poet Laureate of England was doing exactly what we are all being asked to do right now: living a virtual life. Long after he wandered through those daffodil fields, Wordsworth wrote about the feelings he experienced as he did so, and how those memories sustained him.
As our memories are sustaining all of us during this pandemic.
Here then, as a nod to Mr. Wordsworth and on the happy occasion of his 250th birthday, is a photo taken back in the time of before, when we could walk side-by-side without a care along a seawall adorned with daffodils.
Some say that no one ever leaves Montreal, for that city, like Canada itself, is designed to preserve the past, a past that happened somewhere else.
— The Favourite Game, Leonard Cohen
I can’t leave Montreal behind without writing a word about Leonard Cohen. Because, even though the man spent much of his life living elsewhere, Leonard Cohen is Montreal.
You can’t avoid him when you are there. Stand on any street corner in the city centre and his face stares down at you. When the news broke of Leonard Cohen’s death in November 2016, an impromptu memorial sprang up on the doorstep of his Montreal home. Vigils took place in the square just opposite. Like a pilgrim, I visited both.
I also read The Favourite Game, his first novel, to prepare for my visit to Montreal last spring. The members of my book club were not happy — none of them enjoyed the thinly disguised autobiography. I thought it was laugh-out-loud hilarious.
I’m still making it up to them.
This was a rough year, on so many levels. Almost everyone I know is counting the hours until 2019 is over. All are hopeful that 2020 will be better. I myself had a pretty good year, more or less. But I find it tough to feel joy and gratitude when everyone around me is hurting and weary and sick. Some people call that empathy.
I call it exhausting.
And that’s before we even bring up the news cycle.
In times like these, some of us turn to prayer, some of us turn to poetry, and some of us turn to music. Leonard Cohen — poet, novelist, songwriter, chanteur — gives us all three.
To close out 2019 as well as my series of posts on Montreal, I’m going to finish with these words:
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.
May we all see more of the light in 2020.
While in New York the other month, my sister and I treated ourselves to lunch at Le Bernardin. This New York institution has maintained its three Michelin stars for the past 14 years and, just last week, it was named the world’s best restaurant by La Liste, a Paris-based ratings organization.
The world’s best.
Hee. It was quite the lunch.
Le Bernardin specializes in seafood, which seems like a natural choice given that the restaurant’s founders, Gilbert and Maguy Le Coze, grew up in Brittany, on the French coast. This brother and sister opened their first restaurant in Paris in 1972, calling it Les Moines de St. Bernardin after a song their restaurateur father used to sing about an order of monks who loved to eat and drink. When Gilbert and Maguy moved to New York in 1986, they simplified the name of their new restaurant to Le Bernardin.
Eric Ripert, who was only 26 when he joined the restaurant in 1991 as Chef de Cuisine, took over as Executive Chef after Gilbert’s sudden death in 1994. He is now a partner in the restaurant. When I got home from New York, I read Eric Ripert’s book, On the Line, which describes the inner workings of the restaurant. Want to know what I learned?
Le Bernardin is a machine.
In order to serve some 1200 dishes every day, 800 pounds of fish are delivered first thing in the morning. All of it is butchered on site — a process that takes six hours. To make 240 sauces each week, the restaurant goes through, per day, 10 pounds of shallots, 5 pounds of garlic, 10 pounds of ginger, and 30 pounds of butter.
(Thirty pounds of butter!?!!)
One neat thing about Le Bernardin, by the way, is that the day’s leftover food is donated to City Harvest, an organization that feeds one million New Yorkers each year.
Le Bernardin is on the ground level of a non-descript office building in Midtown Manhattan with screens hiding the interior from the street. If you didn’t know where to go, you wouldn’t know it was there. But once you are inside, it’s as if you’ve entered another world.
The service was seamless. We lost count, but my sister and I think there were at least seven people waiting on us. And because all staff are full-time, there are no actors moonlighting as servers at Le Bernardin. Instead, you are surrounded by professionals.
The menu consists of three parts: Almost Raw, Barely Touched, and Lightly Cooked. For the three-course prix fixe that my sister and I ordered, we were instructed to order one dish from the left side of the menu (Almost Raw and Barely Touched) and one dish from the right side of the menu (Lightly Cooked). I had Barely Cooked Scallop with Sea Beans and Bonito Butter Sauce and Pan Roasted Merluza with Stuffed Zucchini Flowers and Brazilian Shrimp Moqueca Sauce.
I apologize for the lack of photos. I was too overwhelmed with what I was seeing and tasting to pull out my camera.
When it came to my third course, however, there was no question that I had to document the moment. This is a Golden Hazelnut Sphere with Frangelico Mousse and Praline Ice Cream.
Yes, that is gold leaf on the hazelnut sphere.
I don’t know if New York’s streets are paved with gold, but this I do know: its pastries sure are.
That would be Vancouver Island. I finished off my visit with a day in Victoria, and I spent a good part of that day browsing in what I consider to be two of the best bookstores in Western Canada.
Maybe all of Canada.
One of those stores, Munro’s Books, is celebrating its 55th birthday this year. If you love books, this store alone is worth the trek to BC’s capital city.
Munro’s was founded by Jim Munro, former husband of Alice Munro. As the store’s own website puts it, that would be that Alice Munro. It’s in an exquisite setting — a stunning heritage building built in 1909 to house a branch of the Royal Bank of Canada. Jim Munro bought the building in 1984. When he retired in 2014, he sold the business to four long-time staff members.
The store has a loyal clientele. As you can see, I went home happy.
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
The photo of daffodils I posted the other week had me thinking back to my lovely ramble through the hills of England’s Lake District. It was a sunny, autumn afternoon a couple of decades ago, and although it had been many years since I had studied English romantic poetry, William Wordsworth’s poem, “I Wandered Lonely as a Cloud,” was firmly imprinted on my brain.
Likely because I was wandering. And alone. And in the middle of the Lake District (aka Wordsworth’s backyard). I believe I took this photo above Rydal Water on my walk from Dove Cottage to Rydal Mount.
I had arrived in Windermere around dusk the evening before and started off that morning intending to walk to Ambleside. All over England are public footpaths, known as right of ways, where anyone can walk, even if the land is private. The delightful thing about these footpaths is you can take a bus or train to the start of the trail, do your walk, and then hop on another bus or train to get to where you need to be.
To my memory, the paths are well marked. However, I was soon confused and turned around and, well, lost. I asked another walker for directions, showing him my tiny hand-drawn map bought that morning at the Windermere Tourist Information Centre for 20 pence. To his credit, he did not laugh, but he immediately pulled out his full-size Ordnance Survey map — at which point my map felt woefully inadequate and I felt like a silly tourist.
This gentleman set me straight, but it was not long before I was once again lost. I gave up on that path and made my way back to the road where I knew I could catch a bus to Ambleside.
After lunch, I tried another footpath and this time successfully found my way from one of Wordsworth’s former homes (Dove Cottage) to another (Rydal Mount). In the end, it all worked out for the better because by cutting short my morning walk I had more time for my afternoon walk — a walk so beautiful it turned out to be one of the most memorable walks of my life.
A walk so beautiful I started reciting poetry to myself. And, believe me, I’m not the reciting-poetry type.
Several of the English Romantic poets lived in the Lake District, so they are also known as the Lake poets. And the Lake District is truly one of the most spectacular parts of England.
Because I was there in autumn — a lovely time of year, for sure — I saw no daffodils. But someday, one day, I hope to go back in April and see me a crowd of golden daffodils.
We ARE rich,” said Anne staunchly. “Why, we have sixteen years to our credit, and we’re happy as queens, and we’ve all got imaginations, more or less. Look at that sea, girls — all silver and shadow and vision of things not seen. We couldn’t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. — Anne of Green Gables, Lucy Maud Montgomery
Everything I know about Prince Edward Island I learned from Anne of Green Gables, so it’s only natural that I start this post off with a quote from the book.
My time on Prince Edward Island (while on leg two of my cross-Canada trip) was short (way too short), but I remember that the Island was beautiful and green and red and … so very, very small. (It is the smallest Canadian province in both population and area — five PEIs would fit inside Vancouver Island. So yeah … small.)
I really hope I get back there some day.
Another claim to fame (besides Anne) for Prince Edward Island: it hosted the Charlottetown Conference of 1864. Delegates from Prince Edward Island, New Brunswick, and Nova Scotia came together to discuss forming a union of their three colonies. But the Canadians crashed the party and got them to consider making it a foursome (the colony of Canada being the fourth). The 1864 conference was followed by more meetings and, eventually, Confederation in 1867, although PEI ended up backing out and waited until 1873 to become a province of Canada. Even so, Charlottetown is called the Birthplace of Confederation.
This photo was taken (I think) somewhere on the Island’s north shore, which faces the Gulf of Saint Lawrence. Prince Edward Island is famous for its red soil, which is caused by a high concentration of iron oxide.
I could not let today’s date go by without acknowledging the bicentennial of Jane Austen’s death. She died 200 years ago today at the age of 41. Bibliophiles around the world are celebrating her legacy and the new British £10 note featuring her image will come into circulation later this year.
Jane Austen lived in Bath between 1801 and 1806 — which is where I took this photo — and two of her novels are set there. I went to Bath because I’m a Jane Austen fan, but the city is well worth a visit regardless of your reading preferences.
While I was on leg one of my cross-Canada road trip, I made a small detour to Neepawa, Manitoba. It wasn’t a long detour — certainly not as long as my first detour to the Bulkley Valley. But seeing as Neepawa is not on the Trans-Canada Highway, it was, technically, out of the way.
I remember it being a spur-of-the-moment decision. While studying the road map, I turned to my sister (who had by this time joined me on my cross-Canada road trip) and I said, “Hey, let’s stop in Neepawa!”
Neepawa is the birthplace of Margaret Laurence, the much-lauded Canadian author. Back in the day, her novel The Stone Angel was required reading in most Canadian high school English classes. That novel put the fictional town of Manawaka on the literary map of Canada. And Manawaka was inspired by the town of Neepawa.
Our quick stop in Neepawa proved to be one of the highlights of that road trip. We didn’t know this until we got there, but the small town is an oasis in the middle of the Canadian prairie, filled with big, old leafy trees and big, old lovely houses. One of those houses, the one in which Margaret Laurence grew up, is now a small museum, which we made a point of visiting.
We also made our way to the cemetery where Laurence is buried and where the original stone angel stands. The statue is part of the headstone for John Andrew Davidson, a Manitoba politician who died in 1903. It has no wings, but apparently it was called an angel by the residents of Neepawa long before Margaret Laurence wrote her novel.
And here she is.